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Horror film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, splatter films, supernatural horror and psychological horror. The genre has been produced worldwide, varying in content and style between regions. Horror is particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Highest-grossing Horror Films
The following page lists high-grossing films of no particular genre, some high-grossing film franchises at the box office and the biggest opening weekends for a bunch of films. The figures have not been adjusted for inflation. Highest-grossing horror films Highest-grossing horror film franchises and film series : Highest-grossing horror films by year Timeline of highest-grossing horror films By tickets sold The following is a list of horror films which sold more than 1 million tickets. See also * Lists of highest-grossing films ** List of highest-grossing R-rated films * List of highest-grossing media franchises Notes References External links Top 25 Highest Grossing Horror Movies Worldwideat IMDb IMDb (an abbreviation of Internet Movie Database) is an online database of information related to films, television series, home videos, video games, and streaming content online – including cast, production crew and personal biographies, ... {{Horror fict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thai Horror
Thai horror refers to horror films produced in the Thai film industry. Thai folklore and beliefs in ghosts have influenced its horror cinema. Horror is among the most popular genres in Thai cinema, and its output has attracted recognition internationally. ''Pee Mak'', a 2013 comedy horror film, is the most commercially successful Thai film of all time. History ''Nang Nak'' (1999) has been described as a key part of " Thai New Wave". ''Shutter'' (2004) was critically acclaimed and commercially successful locally and internationally. ''Shutter'' was successful in Malaysia, Singapore, the Philippines and Brazil, and was remade in the United States and in India. ''Pee Mak'' (2013), a comedy horror, became the highest-grossing Thai film of all time upon its release. ''The Medium'' (2021), a Thai- South Korean co-production, was awarded Best Film at the 25th Bucheon International Fantastic Film Festival and was the Thai submission for the Academy Award for Best International Fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Horror
Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror. Korean horror features many of the same motifs, themes, and imagery as Japanese horror. Modern South Korean horror films are typically distinguished by stylish directing, themes of social commentary, and genre blending. The horror and thriller genres are cited as gaining international attention to South Korean Cinema. Several Korean horror films have been adapted into English-language Hollywood films such as '' Oldboy'' (2003), ''Into the Mirror'' (2003), and ''A Tale of Two Sisters'' (2003). ''Train to Busan'' (2016) and '' The Wailing'' (2016) are rumored to currently have remakes in talks for production. The female ghost The expression, "When a woman is full ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Horror
Japanese horror is horror fiction derived from popular culture in Japan, generally noted for its unique thematic and conventional treatment of the horror genre differing from the traditional Western representation of horror. Japanese horror tends to focus on psychological horror, tension building ( suspense), and supernatural horror, particularly involving ghosts (''yūrei'') and poltergeists. Other Japanese horror fiction contains themes of folk religion such as possession, exorcism, shamanism, precognition, and ''yōkai''. Forms of Japanese horror fiction include artwork, theater, literature, film, anime and video games. Origins The origins of Japanese horror can be traced back to the horror fiction and ghost stories of the Edo period and the Meiji period, which were known as ''kaidan'' (sometimes transliterated ''kwaidan''; literally meaning "strange story"). Elements of these popular folktales have routinely been used in various forms of Japanese horror, especially the tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychological Horror
Psychological horror is a genre, subgenre of horror fiction, horror and psychological fiction with a particular focus on mental, emotional, and Mental state, psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery fiction, mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action (narrative), action, and paranoia of the setting and plot and to provide an overall unpleasant, unsettling, or distressing Mood (literature), atmosphere. Characteristics Psychological horror usually aims to create discomfort or dread by exposing common or universal psychological and emotional vulnerabilities/fears and revealing the darker parts of the human psyche that most people may repress or deny. This idea is referred to in analytical psychology as the Jungian archetypes, archetypal Shadow (psychology), shad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernatural Horror Film
Supernatural horror film is a film genre that combines aspects of horror film and supernatural film. Supernatural occurrences in such films often include ghosts and demons, and many supernatural horror films have elements of religion. Common themes in the genre are the afterlife, the Devil, and demonic possession. Not all supernatural horror films focus on religion, and they can have "more vivid and gruesome violence". Comparisons For such films and other media, critics distinguish supernatural horror from psychological horror. Mathias Clasen writes in ''Why Horror Seduces'', "Supernatural horror involves some kind of suspension or breach of physical law, usually embodied in or caused by some kind of supernatural agency such as an uncanny monster or a ghost... psychological horror, on the other hand, does not involve violations of physical law, but features naturalistic (if often implausible) menaces and scenarios." Paul Meehan also distinguishes supernatural horror films from p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Splatter Film
A splatter film is a subgenre of horror films that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film '' Dawn of the Dead'', though ''Dawn of the Dead'' is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake. The term was popularized by John McCarty's 1981 book ''Splatter Movies'', subtitled: ''Breaking The Last Taboo: A Critical Survey Of The Wildly Demented Sub Genre Of The Horror Film That Is Changing The Face Of Film Realism Forever''. The first significant publication to attempt to define and analyse the 'Splatter Film', McCarty suggests that Splatter is indicative of broader trends in film production. Though Splatter is associated wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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